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Internet
'Grey Areas' |
by:
Daniel
Punch |
The
Internet has opened up whole new avenues
of freedom for people: freedom of information,
thoughts and the ability to achieve anonymity
while still being active in a community.
This freedom has been latched onto by a
large proportion of the Internet user base
and has fuelled a desire for even more liberties.
This in turn has given rise to the 'Internet
Grey Areas', those little things that 'everyone'
does but which aren't quite legally correct.
A few examples are Abandonware, MP3 downloads,
warez and their kind.
Abandonware is the label applied to games
that have been 'abandoned' by their original
developers. The standard rule has become
that if the games are more than four years
old and no longer freely available for purchase,
or if the developer has closed and hence
the game is no longer supported, then it
can be called Abandonware and distributed
freely. Some developers willingly release
their older software titles into the public
domain making them legally Abandonware but
a large number of titles labelled as such
are not technically free for public access.
The licences are still owned by someone
and the distribution of their software titles
could be harming their licence validity.
Abandonware justifies itself by preserving
gaming history in a 'living' way. It allows
people to play the games they used to love
long after they're available to purchase.
In many cases the only hope for finding
older games is to trawl second hand shops
and online stores such as Ebay in the slim
hopes of coming across a particular title.
Sometimes when you finally get hold of the
old software it simply won't run on your
PC leaving you with a pretty box but no
closer to actually playing the game. Several
times I've purchased an old game and then
downloaded a copy off the Internet so that
I can actually play it due to the fact that
old disks are either damaged or the wrong
type (I don't have a 5 1/4" floppy drive
on my PC any more...).
MP3 downloads have a less honourable ideology.
Simply put, people want free music so they
download it. It is said that the activities
harm no one and that the downloading process
doesn't adversely affect artists' profits.
Who can say for sure? At the time of writing
this article the RIAA's site is down and
I'm not able to find any accurate figures
that estimate the amount of revenue lost
due to music piracy. I believe that it was
estimated at around $5 billion in 1997 and
that's sure to have increased with the advent
of broadband. However, these figures are
said to be highly inaccurate. A standard
argument against them is "I wasn't planning
on buying the CD anyway so they haven't
lost any money out of me downloading it",
an argument that is ridiculous at best.
The Movie downloading scene is almost identical.
I'm not going to swing one way or another
here, but I will say that I can think of
several films that didn't receive the box
office takings from a number of associates
of mine after they had gotten to experience
the film before its release date. The quality
of the films almost justifies the stealing,
but that's a whole different issue!
The Internet community gets riled up over
companies asserting their rights on the
Internet (which is odd... companies asserting
their legal rights being seen as evil while
individuals illegally attempting to assert
what they believe should be their rights
are forces for good...) but the simple fact
is that it is damaging for a company to
allow the theft of their licences to go
unnoticed. In the case of Abandonware, if
it can be proven that a company knew their
products were being illegally distributed
but did nothing about it then the copyright
over that particular licence can be lost.
The revenues lost due to piracy in its many
forms are surprisingly enough, damaging
to companies.
I think that it's unfortunate that the freedom
provided by the Internet has lead to such
abuse but I can see the validity of both
sides of the arguments. Companies want and
deserve their revenue for the services they
provide. Abandonware infringes on a company's
copyright and can lead to them losing their
licences if they don't hunt down offenders.
The consumers on the other hand have to
pay increasingly steeper and steeper prices
for the products, something that is often
blamed on the increasing rate of piracy,
which is blamed on the continuous increase
in prices and the whole thing becomes a
vicious cycle. CDs are very expensive if
you only want one or two songs off the CD,
which is where online music stores can come
into play. There you can purchase the licence
to a song relatively cheaply without having
to pay a lot for an entire CD you that don't
particularly want (and they have the added
upside of having more of the money make
it back to the artists who created the music
as opposed to the corporations that distribute
it).
I guess in the end everyone has to make
their own decision about where they stand
between the concepts of 'Morally Correct'
and 'Legally Correct'. Me personally, I
like to stand a little closer to 'Legally
Correct' than most. It's been my experience
that 'morals' tend to change and warp a
lot sooner than the law does, and not always
for the better. If we restrain ourselves
on the Internet then maybe authorities won't
see the need to attempt to restrain us.
The freedom that is relished so much on
the Internet may in fact be increased with
just a little self-control.
About the author:
Daniel Punch
M6.Net
http://www.m6.net
Circulated by Bandoni
Media
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