There is a great deal of misunderstanding
about what that particular branch of literature
called "Science Fiction" actually consists
of. Is it space-ships and monsters? Time
machines? Galactic empires? Well, its
all of those things, and often none of
them.
Science Fiction, broadly speaking, is
story-telling that deals with the impact
of organized knowledge on human beings.
Usually, this means technology, and the
way it changes us-and reveals about us.
After all, most technology is an extension
of our senses, attributes and desires:
computers are brains, cell-phones are
voices and ears, cars are legs, planes
are the dream of flight.
Many classic S.F. films and books take
place in worlds identical to ours, except
for the creation of some new device, or
the appearance of a new life-form. Others
take place in worlds so apparently foreign
that only the most dedicated and experienced
reader can understand what is going on!
But at the core, there are three questions
or musings most often asked or explored
in any work with the "Science Fiction"
label. Those three are:
1) What if?
2) If Only.
3) If This Goes On.
Although these three "questions" overlap
considerably, the first, "What If?", is
the most essential of the three. "What
If the Martians attacked?" "What If eternal
life was available at a price?" "What
If we knew an asteroid would hit Earth
in a year?"
The second adds a bit of longing to the
equation. "If Only President Kennedy hadn't
been assassinated." is the kind of question
that leads to sociological and historical
speculation, or the "Alternate History"
branch of S.F. which has become tremendously
popular in the last decade. "If Only the
gene for generosity (or anger, or bigotry)
could be mapped." "If Only we could selectively
prune bad memories."
There is an emotional quality to the
"If Only" questions, and they often speak
to a sense of missed opportunity, roads
not taken.
The third question, "If This Goes On"
is tailor-made for cautionary tales. "If
we continue to pollute the environment."
"If one party continues to dominate American
politics." "If more women enter the management
class." "If the space program continues
to Privatize" "If human beings become
better at modifying their physical characteristics."
These questions are starting places for
speculation. While it is easy to use any
of them for trivial or absurd (and entertaining!)
questions like "What if a 300-foot radioactive
lizard attacked Tokyo?" they can also
address profound issues, as in "how would
humanity change if we gained incontrovertible
proof of intelligent alien life?"
By concentrating on the question, or
proposition, at the core of your story,
it becomes easier to keep it from becoming
a CGI-fest. Ask yourself how YOU would
react to a given situation. How your family
would react-you know them well. Then friends.
Political adversaries. Other nations,
and people of other groups. Dig into the
meat of it. Study history, and begin to
grasp the way societies change in response
to technology, for instance the Automobile,
or Printing Press, or Computer.
The more deeply you delve, the more likely
you will be to create a unique question
with unique answers. Then people your
world with breathing, believable characters
responding as intelligent, feeling people
have since the beginning of time. Your
work will blossom and reach new levels.
Even if it IS about a 300-foot radioactive
lizard!
| About The Author
NY Times Bestselling Writer Steven
Barnes has published over three
million words of fiction. He has
lectured from Mensa to the Smithsonian
Institute. Learn more about his
exclusive LifewritingT system at:
http://www.lifewriting.biz
and http://www.lifewrite.com.
|
This article was posted on December
10, 2005