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Fiction
Writing Lessons from Shakespeare |
by:
Wendy
Woudstra |
Common
advice in all fields of study is for the
student to take lessons from a master. Unfortunately
for those who wish to write fiction -- either
in plays or stories -- the most renowned
and highest authority in the art of fiction-making
is long dead.
Few would argue William Shakespeare's supremacy
in the art of creating a compelling story.
And since he never wrote, "Will Shakespeare's
Guide to Writing Great Stories," if we are
to learn from this master, we must draw
lessons from his works.
The following would seem to be the cardinal
elements the Bard would likely include in
his guide for writers:
1) You must have a story to tell.
2) Your story must introduce us to extraordinary
people; not impossible people, but characters
whose circumstances and lives are able to
engender powerful interest.
3) Your story must be thoroughly developed
and told with consumate skill.
4) The amosphere of actual human life must
be so artfully hung over all the scenes
that we feel it, breathe it, and live in
it while we read.
5) Every element of your story must be referable
to the sources of human passion, aspiration,
credulity, fancy, faith or manners. Nothing
in it must be untrue to the universal human
possibilities; but each dramati crisis must
turn on some extraordinary conjunction.
The commonplace must not be preponderate.
6) There must be absolute dramatic vision;
without this the novel is a mere tale, the
drama a mere play, the painting a lifeless
transcript, the music a meaningless tinkle,
the sculpture a form without suggestion.
7) Last comes style, which is the final
stamp of the parsonality of genius. There
is no such thing as a materpiece without
the presence of this indestructible preservative.
About the author:
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