Getting
Paid for the Gig by: Peter
Drew You've launched your voice-over
business. You market your demo. You network.
You audition. You get gigs. Now all you
have to do is get paid.
Union or Non-Union?
For AFTRA and/or SAG union talent, getting
paid in a timely fashion is a benefit of
union membership. It's built into the union
contract. Union talents fill out a form
at the session and then submit it to a paymaster
(someone contracted with the union to handle
talent payroll). The paymaster ensures that
the talent is paid within a time period
specified by the union contract.
Non-union talent and financial core talent
doing non-union work are totally responsible
for collecting what's owed to them. Financial
core, if you aren't familiar with the term,
refers to less than full union membership.
Financial core union members have paid the
portion of dues and fees dedicated strictly
to collective bargaining, excluding any
activity not directly related to collective
bargaining. You might call it "union lite."
Financial core members do not have voting
rights and cannot hold elective office in
the union, but they also do not have to
abide by union rules and regulations.
Types of Clients
So, what payment policy should you, the
non-union talent, adopt? Just as the Internet
has changed the voice-over business by making
the home voiceover studio possible, the
Internet has changed collection by making
it possible to take payment electronically.
PayPal is just one of a number of the online
options that make requesting immediate payment
possible, instead of sending a paper invoice
through the postal system and then waiting
for a paper check to be sent to you. But
before discussing methods of accepting payment,
let's look at the various types of clients
out there and the payment policy that may
best apply to each one.
Most businesses base their payment policies
on assessment of risk. Assessing the risk
you take with a client usually is a matter
of simple common sense. If an individual
contacts you through your web site and asks
you to narrate a wedding video or tribute
to a deceased relative, then probably it
would be wise to request payment up front
before delivering the voice over. If the
individual balks at paying up front, then
you can agree to voice the script, play
the voice-over down the phone line to prove
you did it, get paid, and then deliver the
voiceover.
Working with ad agencies and production
houses usually means giving up a little
control of payment terms. You can request
payment up front, but most ad agencies and
production houses expect to be invoiced.
You can put "due on receipt" on the invoice,
but that is often interpreted as "30 days
net." There are some excellent ad agencies
and production houses out there that pay
promptly, but very often you will have to
wait 30 days or more for payment. Be aware:
many smaller ad agencies and production
houses have adopted a policy of not paying
you until they get paid. In the ad biz,
this means you can wait a long time for
payment.
(On a personal note, after waiting a year
for payment from a small agency for a VO
I'd done for a local electronics and appliance
retailer, I finally reached an agreement
to accept a color television in lieu of
cash. A couple of months later, the retailer
went out of business, a victim of serious
negative cash flow! Did the ad agency ever
get paid? Good question.)
Doing voice work directly for mid-sized
to large corporations usually means having
to bill on a 30-day net basis. This means,
in essence, that you end up offering 30
days credit interest-free. The good thing
is the risk of not getting paid is usually
low. Will some companies push payment out
60 days and even further? Yes, but again
you'll eventually get paid.
Payment Options
So, let's go through the individual types
of clients and your payment options.
For individuals, request immediate payment.
As described above, play the completed voiceover
down the phone to prove it was done and
then ask for payment. Once payment is made,
deliver the voice over.
For direct work with larger companies,
ad agencies, and production houses, request
immediate payment upon receipt of invoice.
If they say their policy is 30 days, try
for 15. For long-form voiceovers involving
many pages and a large talent fee, try requesting
50 percent up front and 50 percent upon
delivery of the project.
Remember everything is negotiable. You
can even barter for part of your fee. Remember
how I received a TV in lieu of cash? Of
course, keep track of your receivables (what's
owed you). When a client does not pay by
the due date, send a statement. Make a polite
but firm phone call requesting payment.
Be proactive. Most people pay their bills.
But for many clients your invoice will not
be top of the pile, so to speak.
Payment via the 'Net
Now, back to collecting via the 'Net. PayPal
is a very popular site for collecting or
sending payments. Just visit
www.paypal.com and sign up. Clients
can pay by credit card or through electronic
transfer from a checking account. You'll
receive an email telling you when the transfer
of funds has occurred. This makes it perfect
for collecting an up front payment. As soon
as you receive the email, you can deliver
the voiceover.
www.worldpay.com and
www.verisign.com are two other online
payment processors you can check out, too.
Want to take credit cards? You'll have
to open a merchant account in order to accept
them. It will cost you a fee to open the
account, a monthly fee, a fee for each transaction,
and a percentage of each sale. Do an online
search for credit card merchant accounts
and compare costs and services to get the
best deal.
Direct wire transfer is a third electronic
payment option. Set up a checking account
used exclusively for wire transfers. You
supply the client with your checking account
number and the banks routing number, and
the client transfers funds directly from
his account to yours. It works well and
can cost virtually nothing depending on
the deal on the account you get from your
bank. One of my TV imaging clients pays
by wire transfer. I email an invoice out
of my QuickBooks and usually the next day
the money is in my account!
With a payment policy in place, you'll
gain greater control over how and when you
get paid. Hey, it might be a really fun
business, but it's no fun not getting paid.
Happy collecting!
© Peter Drew
About The Author
Peter Drew, a freelance voice-over
talent and copywriter/producer with
28 years of experience, is heard on
radio and television stations, corporate
presentations, web sites, and messages-on-hold
across America and countries around
the world. To send an email regarding
this article, please visit Peter Drew
Voiceovers at
http://www.peterdrewvo.com. |
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